 |


The EDDIES - TWICE AROUND THE WORLD
I can't get enough of "Stranger In The House", with its
pub-poppy pure glee, sounding like Graham Parker doing early
Elvis Costello. It’s been awhile since we’ve heard from The
Eddies but the time off is well, well spent as they are return
with a collection of songs that is both tightly focused but
stylistically diverse. Which makes sense as this is a collection
of ---- covers! Cool covers! Featuring twins Dean and Dale Hoth
on bass and guitar respectively, and producer and drummer Earle
Mankey. The band breathe new life into some 80's powerpop gems,
covering songs by The Times, Squire, The Jetset, Manual Scan and
The Risk. The band make the songs effortlessly their own.
Soaring vocals, great instrumentation, Earle's spot on drumming
and full clear production make this a classy and well put
together collection of songs.
- www.notlame.com - May 2008
The EDDIES - TWICE AROUND THE WORLD
Great power pop from CALIFORNIA which gets its inspiration
from 20/20, THE THREE O'CLOCK, THE SHAMBLES, and DWIGHT TWILLEY!!!
Pick this one up cause its highly recommended!
- Jam Records- February 2008
The EDDIES - TWICE AROUND THE WORLD
US powerpoppers The Eddies return with their second album 'Twice
Around The World'. Unlike their debut this album is made up of
all cover versions. It's a tricky business putting out albums
full of cover versions, sometimes it can go horribly wrong
(Weller's 'Studio 150' springs to mind). But I'm happy to say
that The Eddies have got these cover versions spot on. Rather
than straight forward carbon copies The Eddies have stamped
their distinctive powerpop sound onto all the tracks.
The album opens with '65 Film Show' who for those of you that
don't know the original was done by Chardon Square and was the
opening track on the 'This Is Mod Volume 6 (The U.S. Of Mod)'
compilation CD on Anagram Records. Great cover and it sets the
standard for the whole of this album. Next up The Eddies pay
tribute to two Mod bands from the 80s UK Mod scene with their
versions of The Risk's 'Good Together' and The Times 'Red With
Purple Flashes' both work really well with The Eddies adding a
slight psychedelic feel to their usual power pop sound. Next up
is 'Stranger In The House' which is a new one for me as I'd
never heard the original before but I'm told that it was by 80's
Australian mod band The Little Murders. 'Stranger In The House'
is probably the standout track for me on this album along with
the following track, a great psych sounding 'Don't Know Where To
Start' which was penned by San Diego Modsters Manual Scan. We
then get covers of The Jetset's 'Colour My World' which will
shortly be released on a Jetset tribute album 'Do You Wanna Be
In The Show?', another Risk cover 'Good Times', Squire's 'Debbie
Jones' (which was released last year on the Squire tribute album
'The Young Idea) and another Manual Scan cover this time of
'Jungle Beat' (from the Manual Scan/Shambles tribute album?).
'Jungle Beat' brings back a lot of memories for me as this was
the first song I ever heard by Maunal Scan when it was issues on
the Mod compilation 'The Cutting Edge' back in the mid 80s and
I'm glad to say that The Eddies do justice to this tune.
To finish off the album we get 2 bonus tracks - another version
of 'Don't Know Where To Start' but this time with The Risk's
Mark Le Gallez on lead vocals and 'Stranger In The House' which
features Rob Griffiths from The Little murders on vocals. A
great end to a great album. One thing I must say abut the album
is that Earle Mankey on drums makes a big improvement on the
overall sound of The Eddies.
The sleeve notes state that the album was made with - No
keyboards, no synthesizers, no session musicians. So if you like
good honest power pop with a splash of psychedelic colour then
this is the album for you.
-Bazza, Mod Radio UK - February 2008

The Eddies Modern Music For Modern Times
UK/2006/Twist Records
EXCELLENT!!
It's been a while since we've heard from these guys! Their
new 3-song release is aptly titled "Modern Music For Modern
Times",
as they pay homage to 80's British Mod classics from Squire
("Debbie Jones"), The Risk ("Good Times") and The Jetset ("Colour
My World")! Brothers Dean and Dale Hoth are joined by the
legendary Earle Mankey on drums on a terrific tribute, albeit
short, to those fabulous Mod days of yesteryear!
- Kool Kat Records - October 2006
The Eddies - Modern Music For Modern Times (CD EP)
Talk about hitting ya hard and running away, the three songs on
this short, exciting and excellent EP really tantalize and
tease(hear below). The Eddies are brothers Dale and Dean
Hoth (Guitar and Bass) along with Cris Cordero (Drums) and here
they give homage to some early/mid 80's British mod-cum-power
pop bands that influenced them. Co-Produced by Earle
Mankey along w/ the band, "Debbie Jones" has a post-mod, late
70's The Vapors/The Jam/The Chords sound with an updated w/ a
bit of Ned's Atomic Dustbin/Jesus Jones vibe. Classic!!
"Good Times", Track 2, is even more so! Again, The Vapors
comes to mind, but it rocks a bit harder than that band with a
thumping, driving bass line that rips it up. Track 3?
Well, read below for info on that!
"USA power popsters, The Eddies return to the fray with a
three-track release that in the days of vinyl was called a
maxi-single. Debbie Jones is a stomping psyche flavoured
gem, a new slant on the Squire(early 80's mod-pop) song.
Wave after wave of guitar leads into a cool update of The Risk's
"Good Times, charged up power pop at its best. The
Jetset's "Color My World" get a raveup on Track 3. A trio
of revival tracks brought into the 21st century with class and
panache. " -ScooteringMag. Really wonderful stuff
that leaves us wanting more, no doubt! Listen and enjoy!
-www.notlame.com
- October 2006
The Eddies - Modern Music For Modern Times (modradiouk.com)
California never sounded so good!, now we have, The Eddies, a 3
piece Mod Pop Garage band from the sunny beat side of the USA.
What a delight to have a single pop through the letterbox just
as you check the band out on the now infamous, Myspace!
The Eddies have been recording since 2004 and this 3 track CD is
their latest installment to the world of Mod sounds. Brothers,
Dean & Dale Hoth have teamed up with producer Earle Mankey to
produce this superb "walk back in time" classic cover collection
of Mod Revival tunes.
Squire tune, "Debbie Jones" is first to play on the CD and it`s
a great flowing guitar rip of the Meynell classic, next up it`s
The Risk`s turn, their top track, "Good Times", simply superb!
The Eddies have brought the classic Mod Revival, Le Gallez
track, right into the fold of now with neat guitar work and
vocals again from the Hoths. The Paul Bevior penned, "Colour My
World" is the last track, and it's an absolute cracker! so much
so that I like this better than the old Jetset version!
The CD cover quips, "No Keyboards, No Synthesizers, No Session
Musicians", and by heck they didn't half prove that! Go and
check out the fine sounds of The Eddies now!
I've just read that the guys are back in the studio again
recording their next release so if this recording has got
anything to go by, it's gonna be the one not to miss!
- Reviewed By Buster
The Eddies - In The Sunshine (modradiouk.com)
Here's a nice summery release that will get all of you up n
ready for the sun! It’s a recent release from the Californian
Mod trio, The Eddies, called "In The Sunshine" and it's released
through Mark Le Gallez`s, Twist Records.
This was their first CD album release in 2004 which sold out
very quickly of its original pressing and is now freely
available to pick up again and be enjoyed by the masses
thankfully! A second album is being put together as you read
this but I’ll concentrate on this belter now!
It’s a 12 track CD Release from Twist Records with over 30
minutes of top class guitar Mod Power pop that’s just perfect
for lying back on that lounger and turning up the volume while
soaking in the sun! There are 11 self penned tracks by Dean Hoth
and 1 track penned by US Mod stalwart, Bart Mendoza which adds
nicely to the summer fun!
"All Alone", imagine Squire with fuzz guitars!, "Sometime",
terrific harmonies reminds me of the Buzzcocks, that’s no bad
thing either!, "In Tears Again", definite soul side to Dale
Hoth's vocals, ""Life Could Be So Good", them Hoth brothers sure
know how to harmonize!, "Thinking Of This Girl", a pure and
simple power popper, "Queen Of Hearts", showing their Punk &
early Weller influences well, top track, "So In Love", slows the
pace down some with Dale Hoth's vocals a delight for the ears,
"Girl With The Golden Hair", Modtastic harmony with Dean Hoth on
lead vocals, "Find My Way Back Home", pure Fuzz pop flowing into
the atmospheric "What is Love”,” Jungle Beat", fantastic cover
of the Bart Mendoza & Manual Scan classic, my pick of the bunch!
"Every Time", the last track flows all gently along, reminds me
of the Beach Boys but that just adds to the summer feel of this
whole album!
Be warned! This album will blow your mind! Utterly cool but oh
so infectious, you’ll be playing this CD over & over till the
neighbours start complaining!
Described by Andy Houghton of Yeh Yeh, as the "Dog’s Bollocks",
"The sound is quite 'heavy' and really goes well with the
'fragile' voice and harmonies", says, Anthony Meynell of Squire,
"Mods will definitely dig it!", says Kool Kat Musik......Indeed
we do!
With a new single release imminent and a forthcoming second
album, I for one can't wait for both, The Eddies have well
established themselves in the Mod beat world and long may they
continue! This CD and other releases available from the links
above and all the good outlets of cool.
- Reviewed By Buster
The Eddies - Modern Music For Modern Times (CD EP)
Talk about hitting ya hard and running away, the three songs on
this short, exciting and excellent EP really tantalize and
tease(hear below). The Eddies are brothers Dale and Dean
Hoth (Guitar and Bass) along with Cris Cordero (Drums) and here
they give homage to some early/mid 80's British mod-cum-power
pop bands that influenced them. Co-Produced by Earle
Mankey along w/ the band, "Debbie Jones" has a post-mod, late
70's The Vapors/The Jam/The Chords sound with an updated w/ a
bit of Ned's Atomic Dustbin/Jesus Jones vibe. Classic!!
"Good Times", Track 2, is even more so! Again, The Vapors
comes to mind, but it rocks a bit harder than that band with a
thumping, driving bass line that rips it up. Track 3?
Well, read below for info on that!
"USA power popsters, The Eddies return to the fray with a
three-track release that in the days of vinyl was called a
maxi-single. Debbie Jones is a stomping psyche flavoured
gem, a new slant on the Squire(early 80's mod-pop) song.
Wave after wave of guitar leads into a cool update of The Risk's
"Good Times, charged up power pop at its best. The
Jetset's "Color My World" get a raveup on Track 3. A trio
of revival tracks brought into the 21st century with class and
panache. " -ScooteringMag. Really wonderful stuff
that leaves us wanting more, no doubt! Listen and enjoy!
-www.notlame.com
- October 2006

The Eddies "In The Sunshine"
It's a Saturday night and you need something to play loud, something that captures
the spirit of youth, something equal parts melody and energy. Something Like
the Eddies. The trios debut, "In The Sunshine," is an album that takes
a few listens to approach, but is an ultimately rewarding disc, with it's share
of pop gems. It's hard to pinpoint the exact influences. At times the groups
lush dense sound sounds a bit like
the Beatles crossed with the Velvet Underground at it's poppiest, hanging with
the Jam. Even that description doesn't really do the album justice. "Find
My Way Back Home" sounds like it would've been a Rodney on The ROQ fave circa 1981 - and that's a good thing. Meanwhile "So In Love" is
everything one could hope for in a quirky, offbeat mid tempo ballad. The sound
of the album, produced by the legendary Earl Mankey (who also contributes keys
on a few tracks), and with a cameo from Mike Nolte of The Last, has a decidedly
DIY flavor to it. Not every song works, but at it's best "In the Sunshine" ably
captures a teenage spirit not heard since powerpop's late seventies heyday.
San Diego Union Tribune May 2004
San Diego City Beat
Together for old time's sake
by Ken Smith and Scoop Stevens
Read
this Review
I've now listened to the album about 6 times and can't put it away!!!!
There's a phrase in the UK which says something is "the dogs bollocks"
(where "bollocks" are "balls") and this album is it!!! It's
unique, totally,
and I love it. Mankey is a genius and I think he's brought out all the
indiosyncracies that the songs contain. I really can't stop listening to
it....WOW!!!!
Whatever happens, keep at it and keep writing/recording.
Andy
YEH YEH
THE EDDIES – In The Sunshine CD (FAB NEW 12 TRACK RELEASE
ON THE “TWIST” LABEL FROM THIS U.S. TRIO. THINK “TIMES”, “JETSET”, & “SQUIRE”,
WACK IT IN A BLENDER AND OUT COMES THE EDDIES)
-Detour Records June 2004.
THE EDDIES – In The Sunshine CD
Great debut from The Eddies on Twist Records (Twist US1) Garage
fuzz from America the first on Twist US a very uncomplicated
debut which goes along nicely. Deep guitars, throbbin’
bass and hefty drums from Dale and Dean Hoth with expert
drummings from Cris Cordero, Track one is the flashy "All alone"
maybe some punk riffs in there with obvious 60s beat.
Track 2 is "Sometime" a great fuzz garage beat great harmonies
on this track a very solid sound. Track 3 "In Tears Again"
a somewhat more poppy approach for this song maybe there attempt
at a love song and it comes across as a solid tune. Track
4 "Life Could Be So Good" another 60’s inspired tune.
Track 5 "Thinking Of This Girl" another deepy garage song with
glammy riffs a powerful strong and one of my faves. Track
6 "Queen of Hearts" a faster song with obvious Beach Boys
fillings and even a magical touch of keyboards my fave on the
album. Track 7 " So In Love" Moody psychie song with tints
of the late 60s with even some classy blues guitar. Track
8 "Girl With The Golden Hair" another of my album faves poppy ,
indie ditty with trends of powerpop a great song. Track 9
"Find My Way Back Home" pure moody garage Track 10 "What Is
Love" this is the Eddies in swoony magical lovey mood a classic
song. Track 11 "Jungle Beat" a Bart Mendoza song which should
speak for itself and the Eddies rip it up and spit it out nearly
my fave on the album. Track 12 "Every Time" slow end to a
fine album a song which shows off the ability of The Eddies.
I really enjoyed this album from start to finish every track is
winner I didn’t know what to expect to be fair when dean sent me
this but knowing it was on Twist and knowing Mark Le Gallez and
his labels judgment on bands I knew I would not be disappointed
and I wasn’t. The Eddies will grow and grow into a fine
band. Give this album a chance you won’t regret it.
8/10
-Steve Emmerson Gents website
Hey, thanks for the tshirt and cd. I put it on as soon
as I got it and was smiling and digging what you guys are
creating. You got some really cool vibe going there. I
could hear some Earle Mankey magic in the sound and a little
20/20 influence maybe too. Cool songs and production.
Great job, I'll be listening more but I want you to know I dig
the whole thing. Best of luck with getting it out there on
the planet. I'll put the Eddies in my car and cruise
around.
Steve Allen – 20/20
Dean,
Thanks for sending the CD (& t shirt!!).
I received them a couple of weeks ago. I love the CD!.
The sound is quite 'heavy' and really goes well with the
'fragile' voice and harmonies. Nice songs.
Thanks,
Anthony Meynell (Squire/Sugarplum)
The Eddies - In The Sunshine
Excellent power pop rock for fans of Weezer, Shambles, The Cars,
B52s, and more. The California band makes music "In the
Sunshine" with a bare bone sound that is neither slick nor
over-produced. Recommended to fans of straight forward
honest to goodness power pop. Featuring: Guitars, Bass, and
Drums!!! That's the real deal.
JAM RECORDS – December 2004
The Eddies - In The Sunshine
The Eddies are brothers Dale and Dean Hoth (Guitar and Bass)
along with Cris Cordero (Drums). Produced by Earle Mankey and
musically it featuresMike Nolte(The Last) and Mankey himself
helping out, along with a cover of a song from Bart Mendoza(The
Shambles) so you know the good taste quotient is going to be
present. And Music bears that out......but it's hard to pin down
who they sound like (okay, how about a garagey version The Cars
playing The Jam with a deconstructionist art-pop leaning?
Ja? No? Sure!) as it's quite evident this is a band of serious
music fans that know how to fuse together their inspirations and
just have a good time writing and performing---and from that, is
a spirit infectious.
Not Lame Recording Company – December 2004
Hey Guys!
Thanks for the new CD! I was really impressed with it!
Earle's production is top-notch (you can tell him "hi" for me)
and your songwriting and performance skills seemed to have
really progressed. Well done. The first track had
overtones of T.Rex and I heard elements of 20/20 in there as
well. I hope you guys have great success with it and
continue in the pursuit of your dreams! Keep me posted on
your progress and once again, well done and good luck with it!
Cheers,
Jeff Murphy
Shoes
The Eddies - In The Sunshine - UK/2004/Twist Records
Produced by the legendary Earle Mankey, this trio’s quirky debut
wears it 60’s/70’s influences – Glam, The Troggs, B-52’s, Garage
Space Rock and more - proudly on its sleeves! Mods will
definitely dig it!
Kool Kat Musik, January 2005
The Eddies - In The Sunshine - UK/2004/Twist Records
Considering a couple of facts, like the ones that The Eddies
are scheduled for both The Manual Scan/Shambles and Squire
forthcoming tribute albums, as well as the one that the album is
being released on the Twist label, my expectation were set high
right from the start.
When I first got hold of the CD, the first thing I notice are
three rather ordinary looking guys, sporting a so called
no-image, instead of an expected sixties inspired mod/paisley
regalia, which made me a bit suspicious, to say the least.
The next thing I’m hearing is a kind of a lo-fi-Weezer sounding
opener All Alone, with the
fragile-falsettos-against-the-noisy-wall-of-guitars‘n’all, which
isn’t necessarily a bad thing, but not what I was hoping for.
Anyway, as I went along the rest of the album, I got even more
confused, with some of the stuff making me jump-for-joy, and
some begging for another listen out of a sheer need for
clarification, with both impressions often being present in a
single song!?
Well, after some five or six listens, things get much clearer,
and the most important thing to be realized about this album is,
that it is what they call “a grower”, and if you listen to it
without any prejudice, unlike I did, you’ll have a great time.
Once again, they return to the above mentioned lo-fi-Weezer
formula in Thinking Of This Girl, Sometime features the early
Who-ish pop artistry and Life Could Be So Good is a quirky
little Brit-sounding popsike tune.
Queen Of Hearts and Girl With The Golden Hair both mix equal
parts of mid’60s garage punk and ‘70s power-pop, especially the
latter, which is somewhere between the ‘King Greg Prevost’s
snarl and some more sophisticated melodicism.
The closing Every Time could be what you get after putting
Arthur Alexander’s You Better Move On through the Velvety
“sunday morning” feel, and what might be the album’s highlight,
is the pair of In Tears (Again) and So In Love, sounding like
The-Zombies-by-way-of-Dinosaur Jr.
It might be of some worth to note that the album is produced by
the legendary Earle Mankey, who along with The Last’s Mike
Nolte, also provides some cool keyboards on several tunes.
GORAN OBRADOVIC
/POPISM Radio Show: Serbia & Montenegro March 2005
"It's sunny power-pop psych in the spirit of paisley
underground mainstays like the three o'clock."
- Capitol Records' Jason Roth
July 2005
|